Wednesday, October 18, 2017


Martha Rosler

Tuesday, October 17, 2017

Why Frankenstien

The artist Alex Da Corte in his 2017 work “Slow Graffiti.” CreditAlex Da Corte, “Slow Graffiti,” (still), 2017. Video: 12’33

...If vampires occupy a magical role in the erotic life of adolescents as cultivated loners (consider Robert Pattinson in the “Twilight” saga, 2008-12, or everybody in “Only Lovers Left Alive,” 2013), Frankenstein’s Monster is their nightmarish queer counterpart. He’s a misfit child spurned by his father who grows up to be a sensitive oddity, too strange to be accepted by society or reproduce naturally and forced to seek refuge in seclusion. The artist Richard Hawkins, whose oeuvre could be understood as a complex wrestling match with the meanings of the Monster, and who has painted stitched-together creatures alongside lusty young men, wisely pinpointed the reasons for this queer sympathy as well as whatever divides the zombie from the vampire in a 2009 interview in the book “Of Two Minds, Simultaneously.” As a child he fell for Frankenstein‘s Monster “because he’s clumsy, shy and misunderstood; Dracula because he’s dandyish, nocturnal and misunderstood.”
Full story in NYTIMES here.

Friday, October 6, 2017

Wednesday, September 27, 2017

Yama no sachi.


From a book consisting mainly, but not entirely, of plant and insect illustrations. Japan. 1765.

Monday, September 18, 2017

Friday, September 15, 2017

Wednesday, September 13, 2017

Nikos Tranos crush... Documenta 14

I love and hate that I just found this artist and this work.

Wings of Desire

Sunday, September 10, 2017

Tarnation